These documents examine a photographer's encounter with a striking custom bicycle named Savanna, a "Sand Edition" Ruffian crafted by Eggi at a gallery in Germany. The sources highlight how this unique bike, seen as more than just transportation but rather a work of art with a strong identity, profoundly affected the photographer. Through the act of photographing Savanna with his Hasselblad camera, the narrator becomes captivated and inspired, ultimately deciding to stay in the location and dedicate himself to developing the images. The overall theme is the transformative power of exceptional craftsmanship and how encountering such a creation can alter one's perspective and path.
Review of Key Themes and Insights from a Film Photographer's Experience in Winter Helsinki
This podcast provides an overview of the main themes, important ideas, and notable facts presented in the provided source, which chronicles a film photographer's journey through wintery Helsinki with a Plaubel Makina 67 camera.
Main Themes:
The Challenges and Rewards of Analogue Photography in Harsh Winter Conditions: The central theme is the inherent difficulty and paradoxical joy of shooting film, particularly with a large-format folding camera like the Makina 67, in a cold, snowy, and often unforgiving environment like Helsinki in winter. The source highlights the technical struggles (frostbite, fogging, metering issues, bellows vulnerability) alongside the artistic and personal satisfaction derived from the process and the resulting images.
Helsinki as a Photogenic but Demanding Subject: Helsinki is portrayed as a visually stunning city with distinct architectural styles (neoclassical, Art Nouveau, modern) and unique atmospheric qualities (low winter light, snow, hail). However, the city's winter conditions are presented as significant obstacles for a photographer, adding layers of complexity and unpredictability to the shooting experience.
The Personal and Emotional Aspect of Film Photography: The narrative is deeply personal, revealing the photographer's (Kiribane) frustration, perseverance, and ultimate affection for both the camera and the city. The struggle with the equipment becomes a metaphor for the dedication and irrationality inherent in pursuing analogue photography in the digital age.
Practical Advice and Cautionary Tales for Film Photographers: Interwoven throughout the personal account are practical tips and warnings specifically aimed at film photographers, particularly those considering shooting in similar cold and wet conditions with challenging equipment.
These excerpts offer a whimsical, almost surreal narrative centered on a photographer named Kiribane and his interaction with Martian visitors in Tampere, Finland. The core of the story revolves around the act of film photography with a specific, manual camera – the Plaubel Makina 67 – and its connection to capturing the "soul" of a post-industrial city. The tone is nostalgic, humorous, and deeply appreciative of analog processes and urban landscapes.
The source describes The Analog Renaissance, a trend where photographers embrace film cameras despite the cost and complexity. The author specifically focuses on the Plaubel Makina 67, a legendary and temperamental folding medium format rangefinder with a highly regarded Nikkor 80mm f/2.8 lens. Despite its fragile design, heavy weight, and challenging operation, the article explains how owning and shooting with this camera is an incredibly rewarding, albeit impractical, experience, ultimately welcoming readers to the "cult" of analog photography.
Welcome back to our podcast, where today we dive deep into the often overlooked allure of desolate places with a special episode titled “Adventures in Desolation: Photographic Journeys to the Edge.” I’m your host, and today we’re exploring the haunting beauty of abandoned structures along the Belgian border, captured through the lens of my trusty Hasselblad 500cm.
In today’s episode, I’ll share insights from my recent expedition where I navigated the eerie silence and shadow-filled halls of these forsaken edifices. We’ll talk about the unique challenges and artistic opportunities that come with photographing places that time forgot. From wrestling with the gloom of dark, unlit rooms to the thrill of capturing a beam of light streaming through a broken pane, these environments test a photographer’s skill and creativity in equal measure.
We’ll also discuss the unexpected human element—those serendipitous encounters with other souls wandering these ruins. Whether fellow photographers or curious explorers, these chance meetings can add a surprising layer to the narrative of each photograph.
Join me as I recount how what started as a challenge to capture desolation turned into a profound appreciation for the stories embedded in these crumbling walls. It’s a reminder that beauty often resides in the most unexpected places, waiting to be discovered by those who dare to look.
So tune in, as we explore the shadows and stories of abandoned places, capturing the essence of desolation and the eerie beauty of decay. Whether you’re a photography enthusiast or someone who loves a good adventure tale, this episode is for you.
France, Mon Amour?!
A Little Odyssey with Big Impact – with the Pentax 6x7 in the Bag
Start: Frankfurt – Destination: France
Why France? Maybe it was the thought of soft light over the Loire, a crusty baguette under the arm, and the hope of catching a bit of that elusive joie de vivre.
We set off with optimism—and a Pentax 6x7 slung over the shoulder. Heavy, yes. But also irreplaceable when it comes to image quality and intention.
Let me walk you through what this trip taught me – about travel, France, and shooting medium format film on the road.
Stop 1: Besançon – The Unpacked Camera
Besançon was our first halt, and frankly, a lesson in knowing when not to shoot. The town lacked atmosphere, texture, and light. It felt like arriving at a destination before the story had started.
Photography Insight:
With only 10 frames per roll, the Pentax 6x7 forces you to choose your moments carefully. Don’t burn a roll because you feel you should shoot. Wait until the light or emotion compels you to. Not every place deserves a frame.
Stop 2: Marseille – Grit, Not Glamour
Marseille conjures up images of sunlit coastlines and lavender-scented air. What we found was trash, grit, and sensory overload. But the chaos had its own character.
I loaded Ilford HP5 – perfect for dealing with the city’s stark contrasts and unpredictable lighting. Black-and-white helped me focus on form and emotion rather than the mess.
Photography Insight:
This is not a camera for quick street shots. If you’re shooting in dynamic urban environments, pre-meter, stay ready, and use zone focus. HP5 is forgiving – you can overexpose it slightly and pull back details later.
Stop 3: Carcassonne – The Fortress Frame
Carcassonne is a medieval dream—crowded by day, but magical at dusk. After a short rain shower, the skies opened with soft blue light.
It was Ektar 100 time. The fine grain and vibrant palette captured the sandstone walls and twilight sky perfectly.
Photography Insight:
Bring a tripod. This camera is no lightweight, and without support, you’ll never make the most of low-light scenes. Also, mirror lock-up is your friend to avoid vibration-induced blur.
Stop 4: Bordeaux – Big Name, Flat Scene
Bordeaux was a disappointment. The name promised elegance, but the city felt tired. I didn’t unpack the Pentax for two days. I observed instead.
Photography Insight:
Let the moment lead. The 6x7 is not a “spray and pray” tool. If a place doesn’t speak to you visually, skip it. Film is expensive. Time is limited. Don’t force it.
Stop 5: La Rochelle – The Unexpected Highlight
Now this was a surprise. Clean, vibrant, full of light and coastal elegance. I shot Portra 160 – ideal for the pastel tones of the harbor and stone buildings.
This was the only place I wished I had more rolls loaded.
Photography Insight:
If a location immediately resonates with you, pre-load your rolls. Know what film stock suits the light and mood. The Pentax 6x7 rewards preparation – not spontaneity.
Stop 6: Amboise – Serenity and Structure
Amboise brought back the magic. A historic town with a château rising over the Loire and real photographic character. I experimented with Cinestill 400D, intrigued by how its cinematic tones would render the scene.
This was also the best base for day trips to the architectural gems of the region – Chenonceau, Chambord, Chaumont.
Photography Insight:
Shoot with a print in mind. The 6x7 negative is ideal for framing and enlarging. Consider your composition in layers: light, structure, narrative. Each château had a different feel – and needed a different frame to tell its story.
Stop 7: Blois – The Unexpected Encore
Blois is elegance without pretense. The Château here is a mix of four architectural styles – a visual puzzle. The town itself was photogenic, walkable, and inviting. I slowed down, metered carefully, and took only three shots over two days.
Photography Insight:
The Pentax 6x7 will make you see slower. And that’s its strength. When you spend 10 minutes composing one frame, you begin to appreciate how precious each shot really is.
Final Stop: Nancy – A Graceful Goodbye
Nancy offered a final dose of classic French flair. The Place Stanislas alone was worth the trip. I didn’t shoot much here – partly due to fatigue, partly because I just wanted to enjoy the city without the weight of gear.
Photography Insight:
Sometimes, the best decision is to not shoot. Don’t let the camera come between you and the experience. The Pentax is a powerful tool—but it’s still just that: a tool.
Mid-Trip Reflections – Through a Glass (Not Always) Brightly
France surprised me—not always in good ways. There were moments of charm, yes. But also signs of economic wear, social strain, and faded grandeur.
The famous savoir-vivre was hard to find. But quiet streets, few tourists, and unexpected pockets of beauty gave the trip its value.
Photographer’s Takeaway:
This journey reminded me that analog photography—especially with a tank like the Pentax 6x7—isn’t about chasing perfect shots. It’s about intention. It’s about letting go of the pressure to document everything and focusing on what really moves you.
Conclusion: Worth the Weight?
Yes. In the end, the Pentax 6x7 proved what it always does: that when you take your time, respect the frame, and let the world unfold, you’ll come back with more than just photos.
You’ll return with memory, emotion, and a story pressed into emulsion.
If you’re thinking of taking your 6x7 on a trip, here’s my advice:
Travel light, but with purpose.
Choose your film stocks with the light in mind.
Don’t chase volume. Chase meaning.
And maybe just start your journey in La Rochelle.
Until next time – keep your eyes open and your shutter steady.
Springtime in 6x7: Analog Misadventures in Southern France
Episode Summary:
In this episode, we take you on a comically tragic analog journey across southern France — from sun-drenched Marseille to medieval Carcassonne and elegant Bordeaux — with nothing but a bag full of 6x7 cameras, a dream of cinematic street shots, and a deep sense of analog optimism.
Join us as we relive the highs and hilarious lows of shooting street photography with the Pentax 67 and Mamiya RZ67, two medium format giants that promise stunning results… in exchange for sweat, failure, and maybe a minor back injury.
From forgetting dark slides and misloading film to capturing the one perfect frame after thirty minutes of humiliation, this episode blends personal storytelling, practical tips, and self-deprecating humor for anyone who’s ever dared to shoot street with a camera the size of a brick.
What You’ll Learn:
• Why the Pentax 67 is more bench press than point-and-shoot
• How the RZ67 turns photography into a spiritual negotiation
• Why failure is part of the magic — and how to make peace with it
• Field-tested tips for analog street photographers who like to suffer for their art
Quote of the Episode:
Suffering is temporary, but a good 6x7 frame is forever.
Podcast Summary: “The RZ67 and the Bellows of Destiny”
Date: October 26, 2023
This episode explores one photographer’s misadventure using the Mamiya RZ67 medium format camera for street photography in Lyon, France. Dubbed “The Bellows of Destiny,” the RZ67 becomes both a burdensome companion and a transformative tool.
The story humorously highlights the camera’s massive size, operational complexity, and ritualistic handling demands — from forgetting the dark slide to mishandling lens changes. Street photography becomes an almost theatrical act with such an unwieldy machine, attracting attention rather than fading into the background.
Despite numerous frustrations, the episode celebrates the rewarding image quality and the deep personal connection the author develops with the camera. It becomes clear that the slow, deliberate nature of shooting with the RZ67 leads to a more mindful photographic experience.
The podcast balances technical insight, comedic self-awareness, and philosophical reflection, ultimately concluding that the pain and absurdity are part of what makes the RZ67 so special.
Key takeaway:
“No pain, no Pro400H” — a fitting summary of the love-hate relationship